You’ve gotta read it to believe it!
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"[Alex McKissick] was well-paired with the firmly voiced Page of Audrey Welsh, whose mezzo soprano was richly deployed and very compelling."
— Opera Today
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"Audrey Welsh brought an infuriating lack of remorse to her two-timing tryst, the evening’s standout performance."
— Pittsburgh Post-Gazette
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“Mezzo-soprano Audrey Welsh captured the earnestness of the Curator and her love of art and its value to humanity with a dignified air and the patrician elegance of her singing.”
— Classical Voice North America
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"Lola, as her name has come to imply, is a beauty who must offer a stage presence no less powerful than her voice. Audrey Welsh delivers both with polish and panache."
— Entertainment Central Pittsburgh
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"Alex McKissick and Audrey Welsh stood out as Narraboth and the Page, respectively, with Welsh delivering a rich contralto sound."
— Classical Voice North America
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“Audrey Welsh, a first-year Pittsburgh Opera Resident Artist, made her debut in the role of Lola. She was a crowd pleaser, making the most of her brief opportunities with a smooth and velvety mezzo-soprano voice and fine stage appearance."
— onStage Pittsburgh
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"Audrey Welsh displayed vocal and dramatic prowess in the “pants role” of Clotarca."
— onStage Pittsburgh
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INTERVIEW: Pittsburgh Opera’s newest world premiere, ‘Woman With Eyes Closed,’ has three different endings!
Chris Cox interviews Audrey Welsh